Hidden Treasures: the Austrian Habsburgs and the Kroměříž Archive
The rich tradition of music-making in Austrian and Czech lands during the 17th-century combines an Italianate style with local music traditions. This unique program brings beautiful yet unknown and lesser-known works housed in the archives of the Kroměříž Archive in the Czech Republic (CZ-KRa) and other European libraries to the stage. Vivid writing for voice, violins, cornettos, trombones, and organ colours these stunning works by composers of the mid-seventeenth century in Austria and Czech lands, including Antonio Bertali, Buonamente, Vejvanovsky and anonymous composers. Their music testifies to the rich tradition and opulence of the Habsburg court and its expansive influence. The majority of these works do not exist in modern editions nor in recorded format. As such, this program brings new works to the ears and eyes of modern audiences.
Venetia 1500 with Ann Waltner (Historian) and John Watkins (Literary Scholar)
Take a multi-media walking tour of Venice! “Venetia 1500” is a multimedia performance inspired by the aerial map of Venice from 1500 by Jacopo de’Barbari. The work weaves music, texts and the map in a conversation that offers audience members insight into the cultural landscape of sixteenth-century Venice. The performance explores the gritty and complex world of this glorified city as it faces the new world order. Early music includes that of Italian, Sephardic and Turkish composers. Sensual melodies of the Ottoman empire mix with rapturous sounds of poly-choral music at St. Mark’s. Newly composed music creates a dialogue between present and past. Texts by nuns and priests, poetry by courtesans, and court documents furnish the textual fabric.
Italy Invades Poland! – Italian Influences at the 17th-Century Polish Court
Italian innovations in musical style and expression during the late 16th and early17th centuries included a heightened sensitivity to text expression, the better to move the affections of the listener. The new style spread through the courts and musical life of Europe, mixing with local influences. This program highlights this music through works by Luca Marenzio and his Italian colleagues, and showcases the stunning Mazurka-influenced Italian-style instrumental works, and concerted vocal textures of Polish composers Adam Jarzębski, Nicolaus Zielenski, Stanisław Sylwester Szarzyński, and others.
Venice was a leading center for the dramatic musical developments at the turn of the 17th century. Its relative independence of the Catholic church in Rome, its cosmopolitan economic and social life, and the affluence of its private citizens and churches created the perfect environment for engagement with the “modern” style. The developments in dramatic music were paralleled in the instrumental idiom—the specification of instruments, the development of virtuosic writing, and the search for expression led to the creation of stunning works for This program explores this repertoire with breath-taking works by Venetian composers like Giovanni Gabrieli, Dario Castello, and Giovanni Legrenzi. It also explores the far-reaching influence that Venetian composers exerted elsewhere in 17th-century Europe with works by Polish, German, and Viennese masters.
Matteo Ricci: His Map and Music with Ann Waltner (Historian)
A multi-media performance reanimating the pivotal cultural exchange between Italian Jesuits and Chinese literati in 17th-century China. This program combines music and dramatic readings, visually framed by a projected digitized version of the world map that Matteo Ricci created and presented to the Wanli Emperor. The repertoire includes Italian and Chinese music of Ricci’s time, as well as collaborative new works written for ¡Sacabuche! by Chinese composer Huang Ruo. Traditional Chinese instrumentalists join ¡Sacabuche!, who perform on Baroque instruments.
Heinrich Isaac: Missa La Spagna in the Village Square
The “Missa La Spagna” is based on a popular dance melody from the early sixteenth century. ¡Sacabuche! presents the mass as it might have been heard in the village square, its movements surrounded by lively secular dance tunes and lyrical motets. Voices with sackbuts, dulcian, recorder and cornetto create sublime textures and provide a unique glimpse into the fascinating world of the Habsburg and Medici courts.
The Glories of Venice and Vienna
This program explores the stunningly beautiful writing of Venetian and Viennese composers at the turn of the seventeenth century. The rich sonorities of both vocal and instrumental textures come alive in the works of Giovanni Gabrieli, Claudio Monteverdi, Heinrich Schütz and Dario Castello. Large-scale vocal works featuring sackbuts, cornettos, and violins are contrasted with virtuosic instrumental solos. It is a feast for the ears, heart and soul.